These tonal options are selected with push/pull volume and tone pots.
The Ceramic bridge pickup offers a choice of modern, active, high-output ceramic humbucker tone, high-output passive ceramic humbucker tone, and a cutting, overwound single coil tone. The Alnico neck pickup provides a modern, active, high-output Alnico humbucker™ sound, a crisp, clean, and fluid neck humbucker sound, and a glassy, scooped, hi-fi single coil sound. It features a pair of custom-voiced Fishman Fluence® pickups. This is as much a work of art as it is a unique instrument with an inspiring tone.Įpiphone is proud to present the third signature model designed in partnership with Trivium’s extraordinary talented Matt Heafy - the Matt Heafy Les Paul™ Custom Origins. Every piece of metal, from the pickup surrounds, knobs, tailpiece-even the heel plate and control cavity cover-have been intricately engraved by O’Brien.
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The controls are two tone dials with on-off switches for each, plus a master volume-with a missing knob-on the upper body. Both the headstock and end of the fretboard are delicately carved into a crown-like pattern, perhaps drawing inspiration from mandolins and lutes of the previous century. The distinctive “suit of cards” inlays along the 32"-scale neck would become a signature of Ronnie Lane, but this is perhaps the earliest example of that motif on one of his instruments. The hollow chambers on either side of the neck block were stuffed with cotton to eliminate feedback below a laminate-wood carved top. This instrument has a chambered body with a neck-through design and features a 6-screw heel plate purely for cosmetics. Though all of Tony’s designs are one-of-a-kind, this stands out as a bass guitar truly unlike any other we’ve ever seen.
The bass pictured here was one of his earliest custom designs for Ronnie Lane.
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